outside my comfort zone

For my re-performance, I chose Marina Abramovic's iconic video performance, "Art must be beautiful, artist must be beautiful" from 1975.  In Marina's original piece, she aggressively combs her hair for video for about 14 minutes while repeating "art must be beautiful" and "artist must be beautiful" Short clip of Marina's original video performance to get an idea of what I was trying to re-create: My re-performance: The deeper meanings behind the piece are what inspired me to re-perform it. This piece represents a few things: Taking a feminine regarded action and making it aggressive The pain that comes with being a woman Beauty expectations placed upon women by society Entering a trance-like state to free the mind and body from the conventions of Western society and culture Art doesn't have to be beautiful and neither does the artist, but rather it can be disturbing at times The technical aspects of this piece were a

My concept for this project was to use string or twine as a metaphor for life. I constantly feel pulled in many different directions with class, sports, social groups, and jobs that it can all get a little stressful. By taking twine and wrapping it around different trees and finally around myself, it represents the entanglement of life. There were times when the twine got knotted up, which was simply by chance, but I liked it because life can also get that way at times. We can't always predict what is going to happen and rarely everything goes exactly as planned. There are a lot of things I would like to change about this performance. 1) I would like to perform it live and have the audience scattered throughout the trees or in chairs so that they also get tangled up in the twine. This would represent how others and the relationships/connections we have can make life messy. 2) I would use a lot more yarn or twine so that it would take much longer and create a bigger web in t

So this performance felt a little confusing and sprung on me, but that is my personal experience with it. Still,  I feel like it came together well and was a great fluxus piece in the end. I missed the two group meetings about this performance because I was at track and absent, so the concepts of others were unclear at first. When we met for the final time before the live performance, I started to grasp the different parts of the performance and what they meant. While the other members of the group made noises using various materials and were conducted around, I was doing my own thing by walking back and forth. I chose and was given this role because my walking boot makes a distinct sound and rhythm when I am consciously walking. The loud and constant banging of the boot allowed a pattern and rhythm as a sort of chaos occurred behind and above me. Merce Cunningham's work also inspired my role because he believed that anything could be dance. I had no music and I was just exagger

For Project 2, we were to remake the live performance of Project 1. I came up with the idea of cutting apples one day at lunch when I was just cutting an apple and found that the noises were very interesting. The juices dripping down also caught my attention and I decided that this would be a fun mundane task to change up a little bit. This performance is different than my first in that I took everyones suggestions to slow down when I came to the last apple and really look out into the audience (or camera in this case). I also changed from paper plates to plastic ones because the sound of the knife cutting through the apple is more distinct when it finally makes contact with the plate. Overall, I am happy with how this performance and video turned out. If I had to change one thing about my performance, it would be more aggressive at the second apple and really get the pieces to start flying because it would add a comical aspect to the piece. I would also possibly use three diffe